Music, literature and arts journal

Welcome to a blog of warped arts reviews, potpourri poetry, quirky and weird thoughts from the gentle mind of a versatile Gemini.

Please feel free to peruse, comment, criticise or compliment anything that moves, irritates or entertains you within this journal.

ALL WORK IS COPYRIGHTED AND ANY USE OF ORIGINAL MATERIAL FROM THIS BLOG IS PROHIBITED (AND BAD KARMA).

Wednesday, 5 December 2007

Linh in Melbourne - Sappho Unravelling; theatre review

CLASSICISTIC: Jane Montgomery Griffiths wrote and performed the solo stage production Sappho Unravelling. Image:www.storkhotel.com/sappho.htm

Classical Studies lecturer and award winning actress Jane Montgomery Griffiths has written and performed a play which attempts to 'fill in the gaps' of the life and works from the little known Greek lyric poet Sappho.

Sappho lived in the 7th Century BC in Mytilene, on the Greek island of Lesbos, where women had more freedom, and she was probably married with a daughter named Kleis.

Her substantial body of poetry comprised of erotic love poems, religious paeans and celebratory wedding songs. Much of her work was destroyed in the burning of the Library of Alexandria, with only a few fragments surviving the blaze.

Ancient writers, philosophers and poets have praised her prolific work as genius yet condemned her homosexual lifestyle. Her poems have inspired many modern writers, poets and performers who regard her as one of the most important and influential contributors to the arts and literature.

Fragments of Sappho by Linh

Sappho Unravelling is a brilliant and insightful one-woman production with Jane Montgomery Griffiths giving an astounding performance not only as the Greek poet Sappho, but also as the lover Sappho calls Atthis and Sappho's daughter Kleis.

Jane gives an apt narrative presentation where she not only reflects on the way past writers and philosophers have regarded Sappho, but is equally adept at reflecting on Sappho's love affairs, particularly with Atthis.

Upon a simplistic and minimalistic stage, Jane provides the audience with dialogue punctuated with lines from Sappho's poems, and has the charisma to hold the audience's attention for two hours.

Jane's portrayal of the irrepressible Sappho through voice, movement and music, brings you a clearer understanding of what Sappho was like, and how she lived her life through poetry as they were about love, passion and eroticism.

Sappho is dressed in a simple, black dress, and to switch characters, Jane wears a blue raincoat for Atthis. Jane is remarkably convincing as she glides effortlessly from one character to another and she connects their dialogues on an emotional and intellectual level.

Jane shows every side and emotion of Sappho but Atthis is equally compelling as a lover whose departure brings Sappho to a maddening struggle of emotion, which brings the play to it's climax.

Jane's performance deftly moves the play's tone from humour to heartwrenching and from anguish to hope. Music from David Chesworth's 'Badland Suite' effectively underscores Sappho's desires, intentions and her will to love and be loved.
The lighting from last minute fill-in light technician, Kei, casts mysterious shadows around Sappho, perhaps signifying how very little is known about the real Sappho during her life and after her death.

Director Alex Pinder's uncomplicated direction of Sappho Unravelling keeps the focus on Sappho yet magnifies Jane's magnetism and elan in delivering a dramatically charged performance.

Sappho Unravelling is the final production for the Stork Hotel, as the venue is set for demolition after 2007. Producers Paul and Helen Madden are finalising plans to establish a new theatre venue in 2008.

No comments: