The Golden Compass; fantasy film review

BEARABLE: Dakota Blue Richards and Iorek Byrnison (voiced by Ian McKellen) in a scene from The Golden Compass.
Image: New Line Cinema

In the world of The Golden Compass, the souls of humans live outside their bodies as daemons, and in animal form. The human and daemon pairs are always the opposite sex, bonded by a powerful energy and can communicate telepathically.

The powerful and sinister Magisterium rule the order of everyday life and would destroy anything that undermines their authority, hence the Alethiometer or Golden Compass is a dangerous threat to their existence.

The only person who can read the Alethiometer is Lyra Belacqua, who embarks on an heroic journey to save her best friend and solve the mystery of the disappearing children.

The Over-controversialised Compass by Linh

It is said that a book mustn't be judged by its cover, so it seems that a movie shouldn't be judged by the book it's based upon.

The Golden Compass is the first book of the trilogy in Philip Pullman's children fantasy 'His Dark Materials' and is better seen as a stand alone film despite being an adaptation of the novel.

Director Chris Weitz and the film's producers have agreed to the film's numerous re-writes and re-casting in order to broaden its appeal and water down the so-called anti-religious or pro-atheist elements prominent in the book.

The result is a magnificently imaginative visualisation of the novel, where tales of love, self-sacrifice, triumph of good over evil, and the empowerment of children are brought to the big screen.

Unfortunately, some scenes have been swapped and the ending of the film differs to that of the book, yet the plot remains largely intact.

Newcomer Dakota Blue Richards was chosen from ten thousand young hopefuls who auditioned for the role of Lyra Belacqua in 2006.
In her first acting role, Dakota Blue Richards brings a charming quirkiness to the plucky Lyra, whose presence and curious nature immediately sets her apart from the other child characters.

As the sleek and beautiful Mrs Marisa Coulter, Nicole Kidman is miscast as she purrs her way through some scenes and struggles to turn nasty in others. Despite her fizzled attempts to portray a deeply wicked and heartless monster, Nicole Kidman looks stunning on screen and remains focussed on her character's intentions.

Daniel Craig plays the determined Lord Asriel, Lyra's 'Uncle' and guardian, who believes in the magical 'Dust' which is forbidden and rejected by the Magisterium. Daniel Craig provides some of the great acting moments to lift a few dreary aspects of the film.

Sam Elliott plays Lee Scoresby, the gun-toting, quick witted Texan aeronaut who willingly assists Lyra on her adventure. Sam Elliott looks like he stepped out of a western and into the fantasy world, yet his character is a refreshing contrast to many of the other more darker roles in the film.

The standout performer is not human but a computer generated Polar Ice Bear named Iorek Byrnison and is voiced by Ian McKellen. In a thrilling one on one battle scene, Iorek defeats the King of the Ice Bears, Ragnar Sturlusson (voiced by Ian McShane and named Iorfur Raknison in the book) to rightfully claim the crown.

Other admirable performances include Eva Green's provocative turn as Serafina Pekkala, the Queen of the witches; Tom Courtenay as the wise and caring Farder Coram; Christopher Lee is imposing as the Magisterium's First High Councilor alongside the equally impressive Derek Jacobi playing the Magisterial Emissary; also keep an eye out for Magda Szubanski as the very observant and quiet Mrs Lonsdale.

Some scenes are intensely frightening for younger audiences such as warfare between human and animals and the fight between the Polar Ice Bears. Yet, The Golden Compass is enjoyable and harmless fun concerning a fantasy world of wonderment, free thinking and danger.

Disney's Enchanted - film review

ENCHANTMENT: A hand drawn animation scene from the film 'Enchanted'. Image: Walt Disney Pictures -
www.sewardstreet.com

Fairytale Fun by Linh

Disney has returned to its roots yet has added a touch of reality to its usual animated magic.

In its latest family film offering, Disney's 'Enchanted' combines comedy and musical animation with live action in a wonderful juxtaposition of fairytale 'happily ever after' and cynical New York style endings.

In its opening scenes, 'Enchanted' encompasses all the typical Disney animated flair which is reminiscent of its classic hand drawn animation films, but the fantasy continues in a different form when the animated characters enter the real world of modern day New York as real people.

Amy Adams stars as the fairytale Princess-to-be, Giselle, whose only wish is to marry the dashing Prince Edward whom she believes is her one true love. Amy Adams' portrayal of Giselle embodies all the Disney heroines including Snow White, Sleeping Beauty and Cinderella, yet she succeeds in making Giselle a uniquely extraordinary character. Amy Adams shines in all her musical numbers, in particular the big production song That's How You Know with a reggae beat and a touch of cheeky brass accompanying her dulcet vocals. In Happy Working Song her vocal expression is euphonious as she dances and sings while cockroaches, pigeons and rats help her clean the house.

Patrick Dempsey of television's 'Grey's Anatomy' fame, provides the romantic interest who is unusually unromantic. Patrick Dempsey's character represents the realities of life, who unflinchingly dismisses fairytales as nonsense until he is touched by Giselle's irresistible charms.

James Marsden plays the vapid and vain Prince Edward with plenty of charm whose chivalry knows no bounds. James Marsden sings with vocal brilliance in the duet True Love's Kiss with Amy Adams, brings romance and passion to That's Amore and is believable as the fairytale Prince.

Susan Sarandon is the venomous and evil Queen Narissa whose only goal is to eliminate any competition to her reign in the Kingdom of Andalasia. Susan Sarandon is deliciously wicked and quite frightening in both animated version and live action as the Queen.

Topping and tailing 'Enchanted' is the actress who has enchanted a generation of film goers with her familiar distinctive vocals - Julie Andrews, whose narration is fittingly eloquent.

Alan Menken's canorous musical composition combined with Stephen Schwartz's well-pitched lyrics make the score of 'Enchanted' an aural pleasure.

'Enchanted' is a brilliant film for the entire family and anyone who likes the magic of Disney with a twist.

MUSICAL MUSINGS: Amy Adams as Giselle and Patrick Dempsey as Robert in a scene from 'Enchanted'.
Image: Walt Disney Pictures -
www.justjared.buzznet.com

Linh in Melbourne - Final day; Best and Worst Things About Melbourne

Mad About Melbourne by Linh

I have thoroughly enjoyed my time in Melbourne and spending the last few days in the Donald Bradman room was a lovely change, but I still love the Penguin room.

I'll be missing Melbourne when I leave and will definitely return next year to see more theatre, live entertainment and visit the Melbourne Aquarium again.

I haven't been to many eateries as I'm not a dedicated foodie but I will attempt to increase my visitations to restaurants and cafes during future trips to Melbourne.

I'll miss The Stork Hotel, and will look out for more theatre when Helen and Paul Madden open up their new theatre venue next year. Hopefully it would be in the CBD and within walking distance.


Best Things About Melbourne:

- Everything in the CBD is within walking distance including the Melbourne Aquarium, the Victorian Arts Centre, the Immigration Museum, Federation Square, Chinatown, Greek Precinct, Queen Victoria Market, Bourke Street Mall.

- There are internet cafes on every street. Some internet cafes are within metres of each other.

- The Skybus Super Shuttle which transfers you from Tullamarine Airport to the Southern Cross Station, where you then board a Skybus Mini Shuttle to transport you to your hotel.

- Choco Churro, the enchanted Spanish doughnut.

- The Victorian Arts Centre which is the equivalent to the Adelaide Festival Centre.

- The Queen Victoria Market which is combination of Adelaide's Central Market and the Brickworks Market.

Worst Things About Melbourne

- The sexual predators who goose, grope and rub up against women and young girls on crowded trams. This would become a problem in Adelaide if Transadelaide decides to remove more seats from public transport instead of getting more trains, trams and buses. (Yes, I was groped during a short trip on a crowded tram).

- The closure of the historic Stork Hotel, not only losing accommodation for tourists but also a wonderful theatre venue.

Linh in Melbourne - Hotel Heaven Part Three ; Bradman; Spanish Doughnut

Bowled Over by Linh

For the last weekend at The Stork Hotel, I have been lucky enough to get an upgrade of sorts to a different room.

It was sad to leave The Penguin room but exciting to be in a room dedicated to one of cricket's greatest players and an Australian icon.

The Sir Donald Bradman room is The Stork Hotel's tribute to the man who epitomised outstanding excellence not just in sporting pursuits but is also a fine example of professionalism, dedication and sportsmanship for future Australian athletes in all sports.

It's inspiring and wonderful to be in the midst of a truly great Australian.


Spanish Doughnut by Linh

My idea of a conventional doughnut are those voraciously devoured with much haste by Homer Simpson. That is until I came across the enchanting Spanish doughnut stand 'Choco Churro' on the corner of Flinders and Swanston Streets.

Cooked in cholesterol free vegetable oil, without preservatives or artificial colouring and sweeteners, the Churro comes with a variety of flavoursome fillings including chocolate, caramel, custard, jam, orange, lemon, passionfruit and apple and cinnamon.

The lightly textured dough and the crispiness are appealling and the taste is pleasing although slightly chewy. Having only tasted the Choco Churro Loops and Bombon Churro, I would recommend the Spanish doughnut as an alternative to the ringed and circular filled ones.

Unfortunately, Choco Churro is a franchise only found in Victoria, New South Wales, Queensland and Western Australia but not in South Australia.

Linh in Melbourne - Ali McGregor; jazz concert review

CABARET QUEEN: Ali McGregor presents some of her favourite jazz songs in 'Jazz Cigarette'.
Image: Damian W Vincenzi

Jazzbird On Song by Linh

Beautiful soprano Ali McGregor has spread her vocal wings to explore and experiment with different styles of singing and music genres, in this case the soulful rhythms of jazz.

Ali admits she wouldn't have considered jazz singing if it weren't for the immense enjoyment she felt following her impromptu performance of jazz songs at a friend's engagement party.

In her one-off jazz concert 'Jazz Cigarette' staged in the world famous Spiegeltent, Ali is joined by a trio of music's finest, namely Ben Winkelman on piano, Ben Hendry on drums and Sam Anning on bass. Their expert musical accompaniment throughout adds exceptional sparkle to Ali's scintillating vocals.

Performing jazz standards from some of her favourite singers including Billie Holiday, Nina Simone and Sarah Vaughan, Ali gives a thrilling and crowd pleasing performance.

Ali shows vocal versatility with deep and rich tones for Georgia On My Mind, silky smooth eloquence in So In Love and an abundance of playful sassiness in Ain't Misbehavin'.

Her rendition of Bewitched, Bothered and Bewildered is beguiling and Ali gives an impassioned delivery of Summertime.

Few performers can cross musical boundaries and singer Ali McGregor is a rarity whose vocal talents make her the impressive all-rounder.

Linh in Melbourne - Short and Sweet; theatre

In 2001, Sydney writer/director Mark Cleary created 'Short and Sweet', a series of theatre performances to showcase the best new writers, actors, directors and independent theatre companies in Australia and the world, also giving new talent an opportunity to surface.

'Short and Sweet' is a competition where applicants present a season of original short plays of ten minutes or less that reflects quality writing, performance and production skills.

Mark Cleary's aim of making theatre more accessible and affordable to a wider audience has been realised as 'Short and Sweet' has become the biggest short play festival in the world.

In 2007, the festival assessors received a staggering 1141 scripts from 12 different countries including Germany, Singapore, Canada and Finland. The Melbourne season of 'Short and Sweet' runs for three weeks with ten plays from the 'Top Thirty' performed four times a week and 'Wildcard' entries to be performed as a one-off during each week.

Bite Size Theatre by Linh

Being in Melbourne for a week, I was fortunate to attend week one of the 'Short and Sweet' competition.

It was refreshing and entertaining to see such diverse talents and skills on display.

However, some of the plays were bordering on ludicrous to sicko, while others were insightful, poignant and humourous.

An exciting aspect of 'Short and Sweet' is audiences who attend the performances can vote for their favourite play, and the winning plays will receive cash from a $20,000 prize pool and other development opportunities for their production.

The standout plays that satisfied my theatrical appetite are:

Michael Goes Home directed by Jae Dee Scott and written by Melbournian Bridgette Burton, is about a young former drug addict who has completed his time in prison and hopes to reunite with his parents.

It's a moving, and engaging human drama with great performances from a cast of four.
Mick Lo Monaco plays the estranged junkie prodigal son, Michael, with gentle charm and warm appeal. Ian Rooney gives a strong performance as the unforgiving and deeply hurt father whose lost faith in his only son. Liz McColl is exceptional as Michael's long suffering mother who is willing to give her son another chance. Devon Lang Wilton gives a subdued performance as Michael's girlfriend Tracey.

Thrilling Hostage Melodrama at High Speeds With Pineapple directed by Heath Miller and written by Adam Hadley, is an hilarious, fast-paced action thriller with fruit, guns and two female hostage takers preparing to kidnap someone.

This is a brilliant take on the Quentin Tarantino films but it's done with a feminine touch. Sheridan Harbridge is superb as the overly excited and eager to please kidnapper-in-training, Gills, whose short term memory creates havoc for her partner in crime and brings on the laughs. Robynne Kelly needs to give her character Junie, more punch and vigour yet her cool as a cucumber approach is an apt contrast to Gill's impromptu displays of lunacy.

Bury Your Goldfish directed by Jonno Katz and written by Michelle Wallace, is a visually beguiling display of hand painted cardboard props accompanying a delightful monologue.

This is a family friendly theatre performance where the colourful props, designed by Justin Caleo, represent physical, emotional and funny elements from the monologue in story-telling and re-enacting events. Evie Katz narrates the entire play, while Emelia Symington Fedy and Nicola Gunn portray the fish Itchy and Scratchy respectively. A highly imaginative and inventive play that suits the short form but may become tiresome if stretched to a full production of two hours.

Linh in Melbourne - Greek Precinct

Going Grecian by Linh

Melbourne has the largest population of Greeks outside of Greece, yet its precinct in the CBD seems peculiarly small. I was spoilt for choice in the bustling Greek Precinct, walking past the numerous Greek cafe's, restaurants and shops along Lonsdale Street.

I decided on something sugary to satisfy my sweet tooth and chose 'Cafe Medallion', a modest sized restaurant with alfresco dining. All cakes, pastries and hot food were authentically Greek and homemade at an affordable price.

Friendly staff explained what the various sweets contained and the sight of such delectable delicacies caused me to salivate.

The cabinets were filled with traditional Greek sweets including Baklava – spiced almond and filo slice covered in honey, Kataifi – shredded filo and walnut roll soaked in honey and spices, Galatobouriko – egg custard baked in filo with lemon syrup, Kourambiethes – shortbread covered in icing sugar and Amigdalota – almond biscuits.

After much indecision, I settled for Karioka - chocolate slice with walnuts and Ekme - pastry layered with custard and syrup (the Greek equivalent of Vanilla Slice).

One couldn't leave without learning a few Greek words and phrases, so I picked up "Kali Orexi" which is Greek for healthy/good appetite or 'Bon Appetit'!

Linh in Melbourne - Sappho Unravelling; theatre review

CLASSICISTIC: Jane Montgomery Griffiths wrote and performed the solo stage production Sappho Unravelling. Image:www.storkhotel.com/sappho.htm

Classical Studies lecturer and award winning actress Jane Montgomery Griffiths has written and performed a play which attempts to 'fill in the gaps' of the life and works from the little known Greek lyric poet Sappho.

Sappho lived in the 7th Century BC in Mytilene, on the Greek island of Lesbos, where women had more freedom, and she was probably married with a daughter named Kleis.

Her substantial body of poetry comprised of erotic love poems, religious paeans and celebratory wedding songs. Much of her work was destroyed in the burning of the Library of Alexandria, with only a few fragments surviving the blaze.

Ancient writers, philosophers and poets have praised her prolific work as genius yet condemned her homosexual lifestyle. Her poems have inspired many modern writers, poets and performers who regard her as one of the most important and influential contributors to the arts and literature.

Fragments of Sappho by Linh

Sappho Unravelling is a brilliant and insightful one-woman production with Jane Montgomery Griffiths giving an astounding performance not only as the Greek poet Sappho, but also as the lover Sappho calls Atthis and Sappho's daughter Kleis.

Jane gives an apt narrative presentation where she not only reflects on the way past writers and philosophers have regarded Sappho, but is equally adept at reflecting on Sappho's love affairs, particularly with Atthis.

Upon a simplistic and minimalistic stage, Jane provides the audience with dialogue punctuated with lines from Sappho's poems, and has the charisma to hold the audience's attention for two hours.

Jane's portrayal of the irrepressible Sappho through voice, movement and music, brings you a clearer understanding of what Sappho was like, and how she lived her life through poetry as they were about love, passion and eroticism.

Sappho is dressed in a simple, black dress, and to switch characters, Jane wears a blue raincoat for Atthis. Jane is remarkably convincing as she glides effortlessly from one character to another and she connects their dialogues on an emotional and intellectual level.

Jane shows every side and emotion of Sappho but Atthis is equally compelling as a lover whose departure brings Sappho to a maddening struggle of emotion, which brings the play to it's climax.

Jane's performance deftly moves the play's tone from humour to heartwrenching and from anguish to hope. Music from David Chesworth's 'Badland Suite' effectively underscores Sappho's desires, intentions and her will to love and be loved.
The lighting from last minute fill-in light technician, Kei, casts mysterious shadows around Sappho, perhaps signifying how very little is known about the real Sappho during her life and after her death.

Director Alex Pinder's uncomplicated direction of Sappho Unravelling keeps the focus on Sappho yet magnifies Jane's magnetism and elan in delivering a dramatically charged performance.

Sappho Unravelling is the final production for the Stork Hotel, as the venue is set for demolition after 2007. Producers Paul and Helen Madden are finalising plans to establish a new theatre venue in 2008.

Linh in Melbourne - Melbourne Aquarium

AQUATIC FUN: Plenty to see and explore in the Southern Hemisphere's largest aquarium exhibition, the Melbourne Aquarium.
Image: Linh - www.linh.chameleon.blogspot.com


Marine Marvels by Linh

The Melbourne Aquarium is one of the most spectacular tourist exhibition I have seen.
The majestic marine life immersed in massive tanks and swimming freely as if in their own natural habitat, is awe-inspiring and mesmerising.

There are all shapes, sizes, species and colours of various fish, mammals and amphibians you could imagine and all on display for your viewing pleasure.

If you're brave enough you could swim with sharks, be photographed with your head inside a life size shark jaw, or relax while you watch the animals being fed.

For those in search of a souvenir to remind them of their underwater adventures, the Aquarium Shop is an ideal stopover.

All animals are well treated, well fed and staff at the Melbourne Aquarium advocate the importance of preserving and protecting all species of marine life.

Image: Linh - www.linh-chameleon.blogspot.com

Image: Linh - www.linh-chameleon.blogspot.com

Image: Linh - www.linh-chameleon.blogspot.com

Image: Linh - www.linh-chameleon.blogspot.com

Image: Linh - www.linh-chameleon.blogspot.com

Image: Linh - www.linh-chameleon.blogspot.com

Image: Linh - www.linh-chameleon.blogspot.com

Linh in Melbourne - Mouthwatering Melbourne; Ume Hana

APPETISING ASIAN: Ume Hana Restaurant and Cafe on Elizabeth Street.
Image: Linh - www.linh-chameleon.blogspot.com

Yummalicious Ume Hana by Linh

Ume Hana restaurant and cafe on Elizabeth Street serves up a sumptuous feast of Japanese and Korean delicacies and divine dishes for meat lovers and vegetarians.

There are the usual sushi, nori and californian rolls and miso soup, but also some other gastronomic goodies.

A modest sized restaurant and cafe, Ume Hana is decorated with beautifully hand painted fans of all colours, shapes and sizes which hang on the walls.

The food prices are affordable and served in generously large portions.

With friendly staff and excellent customer service, you can relax while watching television (there are two large screen televisions which are wall-mounted) as your meal and drinks are served with a smile.

Having savoured the delightfully scrumptious 'Yakitori Don', number 44 on the menu, I would definitely be heading back for more in the near future.

HHHMMMM: What's on the menu for a carnivorous chameleon?
Image: Linh - www.linh-chameleon.blogspot.com

YAKITORI DON: Chicken and vegetables skewered, steamed rice and salad.
Image: Linh - www.linh-chameleon.blogspot.com

Linh in Melbourne; The Madwoman of Chaillot - theatre review

JOIE DE VIVRE: Magda Szubanski as Countess Aurelia and Julie Forsyth as Mademoiselle Gabrielle in a scene from The Madwoman of Chaillot.
Image: Jeff Busby.


French playwright Jean Giraudoux was highly optimistic at the time of writing The Madwoman of Chaillot, despite the Nazi occupation of France. Giraudoux hoped his play would be a reminder to the French public of what needed to be preserved in their culture. He intended to stage The Madwoman of Chaillot during the reconstruction days in France after the war but he never saw a performance.
He died of acute uraemia, a type of blood poisoning caused by kidney failure, at the age of sixty one.


Fancifully French by Linh

The Melbourne Theatre Company presents The Madwoman of Chaillot a French play of fantastical proportions at the Arts Centre's Playhouse Theatre.

The story follows the attempts of a Cafe owner to stop greedy oil-hungry capitalists from digging beneath the streets of Paris to line their own pockets without consulting the locals.

Director Simon Phillips manages to re-create the ambience of Parisian life and allows all the charming characters to swirl and move freely throughout their scenes. The opening act, where a waiter serves, a flower seller wanders about and a street performer juggles balls and throws batons, is a wonderful scene of vibrancy and humanity.

Comedienne extraordinaire Magda Szubanski plays the owner of Cafe Chez Francis in Chaillot, and brings believability and assuredness to Countess Aurelia whose eccentric personality earns her the endearing title of Madwoman. Magda Szubanski is in her element as she weaves the wit and wisdom of the play's dialogue with her comedic flair, adding a few moments of spontaneous fun to her role.

Another crowd pleasing performance comes courtesy of Mitchell Butel as the Ragpicker and he also plays the Broker.
Mitchell Butel brings enough arrogance and business smarts to make the Broker a delight even if his character is lacking substance. His portrayal as the Ragpicker begins as a menacing opposition to Countess Aurelia, until he becomes her ally. Mitchell gives an hilarious and enthralling performance as the Ragpicker pretending to be the President in the mock trial scene.

There seems to be four Madwomen in the play, with another three leading ladies of the theatre. Kerry Walker, Julie Forsyth and Sue Ingleton also provide sterling support in double roles.

Kerry Walker is brilliant as the no-nonsense Madame Josephine whose attention to detail earns her respect among her peers. Kerry Walker also plays the Baron, who agrees to the oil digging scheme with great caution.

Julie Forsyth plays the scheming American Prospector to great effect and her portrayal of the dotty and ditzy Mademoiselle Gabrielle is irresistibly funny and captivating.

Sue Ingleton shines as the easily influenced President of France who is always in search of progressing and economically advancing France in the interests of the people as well as himself. Sue is also entertaining as the argumentative and self-indulgent Madame Constance whose imaginary dog, Dickie, is as real to her as Mademoiselle Gabrielle's imaginary friends.

Other notable performances include Melinda Butel as the wholesome and lovely Irma; Sam Hryckow as the deaf/mute juggler is sensational despite only uttering one line in the entire play; Alex Menglet is nicely cast as the Sergeant and Sewerman; Stephen Phillips is a dashing and handsome Pierre who steals the scene even when he's playing dead.

With the star power of Magda Szubanski in the title role, the play was expected to pull more audience numbers as well as plenty of laughs.

However,the twilight performance was riddled with mishaps from the beginning and continued throughout Acts one and two.

Following technical difficulties which delayed the opening for half an hour, there were missed cues, tripping over props, giggling out of character and messed up lines.

All credit to the cast and crew, as they overcame the awkward situations with clever ad-libbing, well-timed quips and excellent improvisations to keep the play on track.

The Madwoman of Chaillot is a highly whimsical comedic fantasy only Giraudoux can conjure, with overly exaggerated situations and beautiful flowing gowns, colourful characters and witty dialogue. Perhaps made even more enjoyable as the cast made the most of unexpected challenges live theatre performance create.

Linh in Melbourne ; Hotel Heaven - part two

ARRIVAL: Finally, I can unpack some of my luggage.
Image: Linh - www.linh-chameleon.blogspot.com

PLUSH TOUCH: An adorable plush toy penguin hangs from the corner adding playfulness to the room.
Image: Linh - www.linh-chameleon.blogspot.com



Playful Penguin Room by Linh

I immediately loved my hotel room.
Apparently every room in The Stork Hotel has a theme such as Foster's Lager or Ned Kelly, and mine is Little Penguins. All themes in the rooms are related to the history, arts, culture, tourism or environment of Victoria.

It instantly brought to mind the various artistic and literature connections of penguins. For example, Penguin publishers of classic works from plays to novels or The Flying Penguin Productions which is a South Australian creative theatre production company. Also the Adelaide Angry Penguin blog or the villainous Penguin from the television series and movie Batman.

It's a joy to be sharing a room with a unique symbol of artistic greatness and eternal cuteness.

PHOTOGENIC ART: Penguins are a tourist attraction and threatened species due to global warming.

HANGING AROUND: Exploring the room from all angles.
Image: Linh - www.linh-chameleon.blogspot.com

THIRSTY: Quenching my thirst............
.........Anybody for milk?
Images: Linh - www.linh-chameleon.blogspot.com


LITERATE LIZARD: Interesting reading from The Stork Hotel Directory booklet.
Image: Linh - www.linh-chameleon.blogspot.com

Linh in Melbourne ; Hotel Heaven - part one

HISTORIC HOTEL: The Stork Hotel has links with Ned Kelly and the Kelly Gang, opened in 1855 and shuts its doors at the end of 2007.
Image: Linh - www.linh-chameleon.blogspot.com


Stoked With Stork by Linh

I'm finally in the boutique pleasure of The Stork Hotel on Elizabeth Street.
I particularly love the Stork perched upon the roof as if welcoming all guests to its humble abode.

I chose The Stork Hotel for its proximity to the CBD, affordable accommodation prices and live entertainment - particularly theatre productions.

Helen and Paul Madden run The Stork Hotel enabling guests to enjoy their hospitality as a publican as well as a theatre venue.

Theatre producer Helen Madden has worked tirelessly to bring audiences and hotel guests extraordinarily obscure yet brilliant theatre in an intimate setting. Throughout 2007, Helen has staged classical works and rarely performed productions such as Homer's The Odyssey, Homer's Iliad, and various other pieces from French playwright Albert Camus and currently playing is a one-woman production about the Greek poet Sappho. All the productions feature familiar Australian performers from television, theatre, radio and film such as Helen Morse, Richard Piper and Kate Kendall.

Sadly, all good things must come to an end, and the end is nigh for The Stork Hotel. After thirteen years, the lease is up and the Stork must fly away in search of greener pastures at the end of this year. In it's place would likely be a shopping centre or swish eateries.

However, Helen and Paul will still be around and will continue presenting more theatre in the near future somewhere in Melbourne, and you can bet I'll be there.

Image: Linh - www.linh-chameleon.blogspot.com

The Barber of Seville - comic opera review

FIGARO'S FROLICS: Elena Belfiore as Rosina and José Carbó as Figaro in rehearsals for 'The Barber of Seville'. Image: Mark Brake.


'The Barber Of Seville/Il barbiere di Siviglia' is a riotous romantic comedy opera by Gioachino Rossini, based on a play by the French playwright Beaumarchais. The comic opera features funny, fast-paced action and fine belcanto singing in two acts.

The plot revolves around the Count Almaviva, and his intentions to marry the rich and beautiful Rosina, who is Dr. Bartolo's young ward. Count Almaviva is in hot pursuit of Rosina but his plans of marrying the little vixen is thwarted as Dr. Bartolo also wants to marry Rosina.

The Count wants Rosina to marry him for his personality and not his title, so he disguises himself as a student named Lindoro. As Lindoro, the Count serenades Rosina under her balcony, but fails to entice her.

The Count encounters his former employee and barber, Figaro, who helps him get into Rosina's residence for a price. Count Almaviva agrees and the two cause much fun and frivolity as the Count plays it for love and Figaro for the money.


Comic Coiffeur by Linh

State Opera of South Australia presents 'The Barber of Seville', its final opera production for 2007, also one of the most colourful and beautifully composed operas from Gioachino Rossini.

'The Barber Of Seville' features a strong cast along with solid support from the State Opera Chorus and sterling orchestral accompaniment from the Adelaide Symphony Orchestra under the musical baton of conductor Tom Woods.

Set in a 1930s health spa for the fashionable and famous, with gloriously elaborate set design and gorgeous costumes by Leon Krasenstein, director John Milson gives a different comedic edge to the popular opera.

Baritone José Carbó is a fabulous Figaro whose agility in movement and voice adds energy and vitality to his aria Largo al factotum della città/Make way for the factotum (Jack of all trades) of the city. José Carbó steals many of the scenes solely due to his clever characterisation of the scheming barber, especially in his letter scene with Rosina and their duet Dunque io son...tu non m'inganni?/Then I'm the one...you're not fooling me?.

Tenor Henry Choo gives a superb performance as the lovestruck Count Almaviva and is vocally graceful in his solo Ecco ridente in cielo/There laughing in the sky, as he woos Rosina. His duet with Rosina Buona sera, mio Signore/Fare you well then, good Signore is a sweet and short moment reminscent of Romeo and Juliet.

Stunning Italian mezzo soprano Elena Belfiore is more than up to the task with a feisty and fiery portrayal of Rosina. Her rendition of Una voce poco fa/A little voice I heard just now followed by Io sono decile/With mild and docile air are awe-inspiring and her vocal pyrotechnics are dazzling.

The supporting cast are sensational with Douglas McNicol giving a commanding performance as the suspicious Dr. Bartolo; Adelaide soprano Deborah Caddy sings her solo where her outpouring of suppressed anguish and frustrations are heartfelt and moving; Stephen Bennett as music teacher Don Basilio has memorable moments including an aria where he gleefully suggests ways of slandering the Count.

'The Barber of Seville' was written without an overture, and the attempts by the orchestra in creating a short introduction to the opera is a disappointment, sounding very tacked on and almost like filler for background changes.

However, it's an enjoyable, hilarious and entertaining comic opera to end the 2007 season for State Opera of SA.

The Game Plan; Charity screening - family film review

FATHER FIGURE: Dwayne 'The Rock' Johnson as Joe Kingman and Madison Pettis as Peyton in a scene from 'The Game Plan'.
Image: Ron Philips/Disney Enterprises.


The charity preview screening of 'The Game Plan' is to support the Starlight Children's Foundation, with all proceeds used to brighten the lives of seriously ill children.

Musclehead Turns Marshmallow by Linh

Former wrestling champion Dwayne 'The Rock' Johnson shows he can be soft as a marshmallow on the inside while maintaining his tough exterior with his latest film 'The Game Plan'.

In typical Disney style, 'The Game Plan' consists of the usual formula of children, animals, frazzled adults, and a lesson or two to be learned. There's even American Football, ballet plus shameless product placement and advertising as part of the script.

Dwayne Johnson stars as the self-absorbed, popular and charming quarterback for the Boston Rebels, Joe Kingman, whose well-structured life is thrown off balance when he meets the eight year old daughter he never knew he had. His daughter, Peyton, informs him that her mother is unreachable as she's in Sudan saving lives, so it's his responsibility to care for his daughter. Joe Kingman relunctantly agrees, as he couldn't resist the big, brown innocent eyes of his little girl. Yet she is not as sweet and innocent as he thinks.

Dwayne Johnson is unexpectedly very funny and entertaining to watch as the bachelor learning to be a father. Dwayne Johnson does very well in playing a role against type, a huge change from his other heroic tough guy roles. Joe Kingman is a devoted Elvis Presley fan and fills his life with Elvis memorabilia and actions, which gives Dwayne Johnson the opportunity to sing a stirring rendition of Are You Lonesome Tonight while playing his Elvis Presley labelled guitar.

Madison Pettis is a natural talent as the observant and patient Peyton who sees her father as a challenge but accepts his character flaws with a mature attitude compared to Joe Kingman's childishness and "It's all about me, it's mine" personality. Madison Pettis delivers a very believable performance as the young girl searching for a father figure in Joe Kingman and her ballet scenes with Joe are inspiring.

Kyra Sedgwick is delightfully pushy yet well-meaning as Stella Peck, Joe's very demanding and money-hungry agent whose attempts to secure lucrative sponsorship deals for Joe Kingman are placed in doubt as Joe commits to his Daddy duties. Kyra Sedgwick plays it too straight-faced and serious as she tries to babysit Peyton, but ends up hiring a nanny.

Roselyn Sanchez plays Peyton's ballet teacher, Monique Vasquez whose professionalism and skills at ballet equal Joe Kingman's football playing abilities. Yet the two clash on their first meeting, until she recruits Joe as an integral part of her ballet production. Roselyn Sanchez is dainty and glamourous in her ballet attire, who also provides the strong-willed female mentor Peyton seeks, as a teacher and friend.

'The Game Plan' is a reminder of the importance of family and learning to balance work with family commitments. A thoroughly enjoyable and satisfying two hours of family comedy, much better than other similar Disney films.

The Clockwork Forest; theatre review

FAMILY FUN: Paul Blackwell as Cuthbert and Cameron Goodall as Morton in scene from The Clockwork Forest.
Image: Windmill Performing Arts


Forest of Fun by Linh

Windmill Performing Arts and Brink Productions have joined creative forces to bring Doug MacLeod's family friendly production The Clockwork Forest to the Dunstan Playhouse.

The story tells of young Morton whose only friends, his wind up animal toys Dog, Cat, Hen and Goat, are blown away during a fierce storm which destroys his house. Morton sets on a journey through the forest to find his friends and discovers more to life than clockwork toy animals. The Clockwork Forest is a play dealing with issues of friendship, love, loss, trust and revenge, and is thoroughly entertaining.

Adelaide actor Cameron Goodall plays the plucky and determined Morton with convincing delivery of lines and childlike agility as he moves through the well-designed props representing a labyrinth of trees in search of his clockwork toys alongside Cuthbert. Cameron Goodall is engaging and likeable playing a child, and at times shows intellectual maturity in contrast to Cuthbert's naivete.

With a career as diverse as the characters he has played, Paul Blackwell is brilliantly hilarious as the amnesiac Cuthbert, who is wandering the forest searching for his own identity and befriending Morton. Paul Blackwell enthralls with his deft hand at comedy, as Cuthbert provides most of the laughs accentuating the humour in the script.

Drama teacher, singer and actor Jacqueline Cook gives a fine performance as Morton's not-so-secret admirer, whose house is also destroyed in the wild storm. Jacqueline Cook's portrayal of the feisty and cunning young Hannah, is a delight to watch, as she provides an interesting distraction for Morton when his eyes stray from his beloved animal toys towards her direction.

The allrounder and multi-talented Kate Box takes on two contrasting yet equally beguiling main characters, as well as a few other minor roles amongst the fantastic ensemble. As the slightly scary but very sexy Spider, Mara, Kate Box wraps the characters and the audience up in her charms while she spins out vengeful words against families. Mara's pet hate is family or anything family related, since her own sisters banished her into the dark and lonely forest due to her misdeeds.
Kate Box gives plenty of quirkiness and neurotic fussiness in her role as Felicia, the artist, whose artistic goal in life is to make everything ugly look beautiful.

Adding some mystery and spookiness to the play, Rory Walker is creepy yet mesmeric as Loki, the intriguing storyteller who travels in a boat along the forest fringes, taking people across the river.

Composer and multi-instrumentalist Stuart Day performs live onstage with his multitude of 'sound tools' including drumsticks, hurdy gurdy and megaphone. Stuart Day brings about the wonders and foreboding sense of danger to the forest as he creates the soundtrack to The Clockwork Forest right before our eyes and ears.

Melbourne writer Doug Macleod is known for his work displaying sharp wit and quirky humour with credits including the television comedy programme Kath And Kim. All which are evident in the beautifully crafted and tightly trimmed script for The Clockwork Forest that appeals to audiences of all ages.

Director Chris Drummond has seamlessly woven sounds, actions, lighting and great performers together for a satisfying journey through a fictional forest.

Death At A Funeral; comedy film review

PLOTTING: Rupert Graves as Robert and Matthew MacFadyen as Daniel in a scene from 'Death At A Funeral'.
Image: www.filmspot.com/movie/365073/death-at-a-funeral



Dead Set Funny by Linh

Director Frank Oz has brought together the best from the British talent field to create a film of mayhem and hilarious mishaps at a funeral, following Murphy's Law. If anything can go wrong, it will.

The plot follows the son of the deceased patriarch, Daniel, who must keep the funeral arrangements under control, while hiding a terribly embarrassing secret about his father, from family and friends.

Matthew MacFadyen is the aspiring writer Daniel, who has promised his wife, Jane, they'll be moving out of his Mother's house and into their own flat. Matthew MacFadyen is enjoyable to watch as Daniel, from being cool as a cucumber in front of his family and relatives, to a dithering and indecisive accomplice with his brother, as they plot to fight a blackmail attempt.

Rupert Graves plays Robert, Daniel's brother, a smooth talking, best selling author living in New York. Robert's selfishness leads to his brother Daniel always taking responsibility of family affairs while he gallivants across Europe. Rupert Graves gives Robert the charm and wit of a self absorbed writer and is full of ideas to solve the problem of the "accidental death".

Daisy Donovan gives a strong performance as Daniel's cousin Martha, who arrives with her future husband, Simon, hoping to make a good impression on her disapproving father, Victor. Daisy Donovan contributes to the laughs as her character chases her drug-induced fiance throughout the film.

Alan Tudyk stars as Martha's fiance Simon, who is responsible for the majority of the laughs, after his fiancee unknowingly gives him hallucinogens instead of valium to calm his nerves. Alan Tudyk is convincing as a sensible and hardworking lawyer who ends up au naturale on the rooftop.

Peter Dinklage is the mysterious man at the funeral, Peter, who has a secret he plans to reveal unless he is paid his share of the money from the deceased's family.
Peter Dinklage provides more laughs as his character attempts to blackmail the brothers, Daniel and Robert, but finds himself lying inside an occupied coffin.

Other brilliant performances include Andy Nyman as Daniel's hypochondriac friend, Howard who helps to conceal the secret; Peter Vaughan as the impatient and cantankerous Uncle Alfie who's convinced something's going on at the funeral and Kris Marshall as Martha's brother Troy, who is indirectly responsible for the hallucinogens creating chaos for Martha and Simon.

From start to finish, 'Death At A Funeral' has plenty of laugh out loud moments, and it intensifies when the drugs kick in. Stay around for the end credits where bloopers of the main cast feature the actors having a few laughs of their own.

Hairspray; musical and sing along film review

The ensemble cast of the musical film 'Hairspray'.
Image: www.myspace.com/hairspray

BIG IS BEAUTIFUL: John Travolta as Edna Turnblad and Nikki Blonsky as Tracy Turnblad in a scene from 'Hairspray'. Photo:www.movies.aol.com/movie/hairspray-2007


Dancing Teen Queen by Linh

'Hairspray' is an adaptation of the hit Broadway musical, which in turn is based on the original John Waters' 1988 film 'Hairspray'.
The story tells of a teenager named Tracy Turnblad who, despite her big hair and big build, achieves her dream of dancing on 'The Corny Collins Show' and succeeds in bringing racial integration to television.

Director Adam Shankman and producers have made wise decisions for the musical film, including losing the campiness which is evident in the Broadway stage version. Songs have been dropped and others added to flow with the film's character development and storylines.

Set in Baltimore during the 1960s, although the majority of the scenes were filmed in Toronto as well as Baltimore, the film recaptures the moment in time when racial segregation was the norm yet acceptance of black Americans into the community was growing.

The characters retain their sparkle and freshness with a strong ensemble cast combining experience with youth and versatility. With sing along sessions screening in cinemas, making 'Hairspray' more enjoyable, it may distract from the action on screen.

Newcomer Nikki Blonsky stars as the big haired and big hearted dance sensation Tracy Turnblad, managing to steal every scene with her wide-eyed innocence and luminous smile. Nikki has excellent diction and vocal projection, with exceptional singing throughout. She gives a dreamy quality to I Can Hear The Bells and exudes enthusiasm in Good Morning Baltimore. Nikki may be in her debut film role, yet she feels and looks comfortable onscreen as she performs alongside seasoned actors including John Travolta, Michelle Pfeiffer and Christopher Walken.

Star of musical films 'Grease' and 'Saturday Night Fever', John Travolta wears a fat suit to play the role of Tracy's Mum, Edna Turnblad, whose introverted nature keeps her inside the house for over a decade, until Tracy gently coaxes her to head outdoors. John Travolta is uncannily convincing as a woman who loves her food as much as her family. His singing and dancing abilities are as energetic and smooth as his past performances in musicals. He is brilliant in the duet with Tracy in Welcome To The 60s, manages to tango in the moonlight with Christopher Walken in (You're) Timeless To Me and explodes on screen in a fusion of dance, song and colour in the cast anthem You Can't Stop The Beat.

Following a lengthy absence away from the silver screen, Michelle Pfeiffer returns as glamourous vixen Velma Von Tussle, the Station Manager of WYZT, where 'The Corny Collins Show' is filmed. Michelle Pfeiffer gives a husky voiced but alluring performance with (The Legend Of) Miss Baltimore Crabs. She gives a slightly caricatured performance in her Stage Mother antics of pushing her daughter, Amber, into the spotlight, resulting in her own downfall. Michelle Pfeiffer creates a wonderfully nasty character whose bigoted ways provides contrast to the other characters' attempts to bring Negros "into the mix".

Familiar to numerous fans of 'High School Musical' as Troy Bolton, Zac Efron plays the aspiring dancer and singer Link Larkin, the love interest for Tracy. Extremely high on cuteness factor but low on personality, Link needs a character boost from Zac Efron but it comes too late (near the end) in the film.

Other cast members with noteworthy performances include versatile actor Christopher Walken as Wilbur Turnblad, Tracy's caring and comedic father; Amanda Bynes plays Tracy's lollipop-sucking best friend Penny Pingleton who comes out of her shell when she falls in love with Seaweed; Allison Janney is superb as Penny's ultra-religious and overbearing mother Prudy Pingleton and Queen Latifah is divine yet defiant as 'Motormouth' Maybelle Stubbs whose line "brace yourselves for a whole lotta ugly coming at you from a never ending parade of stupid" sums up the attitudes of many white Americans on racial integration during 1960s Baltimore.

'Hairspray' the musical film is currently screening in selected cinemas, with the sing along sessions exclusive to Palace Nova Cinemas.



Nikki Blonsky and Zac Efron appeared on 'Rove' during their visit to promote 'Hairspray'. Source: YouTube.com/GivesYouWings.

Loving Lloyd Webber; concert review

Adelaide's Swamp Fairy is an innovative theatre production company, staging musical and cabaret entertainment throughout South Australia.

'Loving Lloyd Webber' is Swamp Fairy's latest offering and following successful performances in regional South Australia, 'Loving Lloyd Webber' comes to Adelaide with Rosanne Hosking, Nic Lock and Rachel McCall providing all the favourites from Andrew Lloyd Webber's best musicals.

Fairy's Musical Magic by Linh

'Loving Lloyd Webber' is definitely for those who love musicals, particulary Andrew Lloyd Webber musical productions.

Staged in the intimate theatrette of The Annex at the Queen's Arms Hotel, 'Loving Lloyd Webber' showcases all the best and favourite musical songs from 'Phantom Of The Opera', 'Sunset Boulevard', 'Cats', 'Jesus Christ Superstar', 'Joseph And His Amazing Technicolour Dreamcoat', 'Evita' and 'Song And Dance'.

The cast of three talented Adelaide performers, provides an aural treat as they cover a spectrum of love songs, famous hits and popular duets, trios and solo performances.

Vocal tutor, producer and singer Rosanne Hosking is stunning in a sparkling red evening dress as she sways onstage and is in brilliant voice throughtout. Rosanne is moving and alluring with With One Look, is persuasive and emotional in Don't Cry For Me Argentina. Her heart wrenching performance of Tell Me On A Sunday is stirring.

Rachel McCall is glamourous in glittering white attire as she dances with Nic Lock in Music Of The Night, and provides wonderful backing vocals for Rosanne in Take That Look Off Your Face and Another Suitcase In Another Hall. Her duet with Nic Lock in All I Ask of You is a crowd favourite and her rendition of Wishing You Were Somehow Here Again displays her vocal versatility.

Singer Nic Lock shows diversity and vocal flexibility as he combines some comedy to his performance. The magnificence of his voice is evident in his vocal range tackling all the high notes in Music Of The Night with ease, he displays charm in Any Dream Will Do and adds some cheekiness to Sunset Boulevard.

Set as a mini-concert with recorded music backing, the trio of performers seem comfortable yet underprepared at times. It may be due to clothing mishaps, sound/technical inadequacies or the concert starting fifteen minutes late.

Despite the minor hitches, 'Loving Lloyd Webber' was enjoyable and encouraged audience members to sing along. With so many familiar songs, it was a feel good night of fun entertainment for lovers of musical theatre.

Doubt - theatre review

COMPELLING: Jennifer Flowers and Christopher Gabardi in a scene from Doubt. Photo: Shane Reid.


Vice and Virtue by Linh

The State Theatre Company of South Australia presents a Sydney Theatre Company production of John Patrick Shanley's Pulitzer Prize and Tony Award winning play Doubt. Set in the Bronx during 1964 in St. Nicholas Catholic Church and School, the four character play deals with a nun's case against a priest she suspects of abusing a child's trust, and her personal conflict between faith and doubt.

The controversial undertones of child abuse and molestation within the church as a subject matter, makes Doubt thought provokingly powerful and leaves the audience doubtful as to who's guilty of anything.

The small ensemble cast superbly handles the text with sophistication and every character shines in this brilliantly crafted play.

Adelaide actress Kate Box portrays the angelic voiced Sister James with much innocence and a trusting nature. She adds passion to Sister James who wishes to connect with her students and convey an enthusiasm in teaching History.

Stage, film and television actor Christopher Gabardi plays the handsome and charming priest, Father Flynn with much charisma and is consistently suave throughout. He delivers Father Flynn's parabolic sermons with some seriousness yet at times is tongue in cheek. His character's personal interest in the Catholic School's only Negro child, Donald Muller, provides the play's catalyst of doubts and allegations.

A graduate of London's Academy of Live and Recorded Arts, Pamela Jikiemi gives a strong and assured performance as Donald's mother. The only character who doesn't harbour any doubts about anyone or anything, Mrs Muller seems unconcerned about Father Flynn's involvement with her son when questioned by Sister Aloysius.

Actor, director and multi-award winner Jennifer Flowers delivers a stunning performance as Sister Aloysius, the Principle of St. Nicholas Catholic School.
Jennifer shows Sister Aloysius' faith and dedication to her Church, while revealing a sharp wit and humour. It's a fascinating creation of how one woman's tiny seed of doubt can blossom into mistrust and hurt upon others, as well as herself.

John Patrick Shanley's script engages the audience without providing any concrete answers and Director Julian Meyrick helps glide the characters smoothly from one scene to another. Doubt leaves the audience wondering if blind faith is enough to bring someone to justice if moral certainty is lacking.

30th Anniversary of Maria Callas' Death

The Callas Legend Lives On by Linh

On September 16, 1977 opera soprano Maria Callas passed away due to heart failure, in her Paris apartment with her maid and butler by her bedside, aged 53.

Thirty years after her death, Maria Callas' influence remains and her albums continue to sell worldwide.

Maria Callas' appeal lies in her enigmatic presence onstage during her opera career, as well as her extraordinary contribution to the dramatic interpretation of opera. Callas was credited with bringing back the numerous roles in neglected operas such as Norma, Medea, Il Pirata, Anna Bolena and La Sonnambula due to her musical influence and artistic capabilites.

We are fortunate to have many of Maria Callas' recordings, where her phenomenal gift of acting with her voice is clearly evident. However, many of the recordings don't do Callas full justice with standards of past audio technology failing to capture the boundless qualities of her voice.

Callas was capable of moving freely from one vocal category to another - coloratura soprano, dramatic, lyric and in her later years, mezzo-soprano.
Her considerable and rapid weight loss and the desire to sing virtually every voice part, may have contributed to her vocal decline. Critics have believed Callas had damaged her voice by stretching it in this manner. Further controversy followed when she began a nine year love affair with Aristotle Onassis, and her alleged diva antics upsetting colleagues.

Love her or loathe her, Callas is unsurpassed as an operatic artist, musician and performer. Maestro Nicola Rescigno, who conducted many of Callas' recitals and operas, best describes her success, "I think the secret of Maria Callas was her willpower. Maria Callas was born with all sorts of disadvantages. Her voice was not of the most beautiful quality, and still, she made this instrument the most expressive, the most telling, the most true to the music that she interpreted."

Mozart's Cosi Fan Tutte; opera buffa review

CHEATING PARTNERS:Desiree Frahn, Robert MacFarlane and Lisa Cannizzaro. Photo: Roy Van Der Vegt.



The University of Adelaide's Elder Conservatorium of Music, in association with the Adelaide Centre for the Arts, presents one of Mozart's most light-hearted opera buffa 'Cosi Fan Tutte (All Women Are Like That)'.

The plot revolves around a wager between a bachelor, who believes all women are the same in matters of love, and two young handsome men who believe their fiancees will remain faithful to them. The pair agree to test their maidens' love by pretending to go off to war, then posing as Latin lovers. Meanwhile, the bachelor bribes the ladies' chambermaid in urging the women to find other lovers while their men are away.

The production is directed by Juha Vanharkartano with Carl Crossin as Musical Director, sung in English and staged at the Adelaide University's Little Theatre.

Lovely Ladies Like Those by Linh

Mozart's two act comic opera 'Cosi Fan Tutte (All Women Are Like That)' is musically enchanting and Lorenzo da Ponte's elegantly poetic libretto has been translated to English without losing any of its expressive beauty.

The opera is set in 1967, with the Vietnam War as the backdrop and enhanced with the stage images and minimalistic set, designed by students from the Adelaide Centre of the Arts.

The strong and talented cast of six brings forth their characters' humour and acts of infidelity with much professionalism in an opera with plenty of songs in duets, trios and quintets.

Bass singer Lachlan Scott plays the cynical and jaded bachelor Don Alfonso, with the right amount of smarminess and sings his parts superbly in May The Wind Be Gentle with Dorabella and Fiordiligi, All Women Are Like That with Ferrando and Guglielmo, and his aria Oh, Poor Little Ones, To Wager 100 Sequins on A Woman.

Tenor Robert MacFarlane is dashing and convincing as the young Ferrando who is heart broken when his lovely Dorabella succumbs to the charms of the disguised Guglielmo. Robert is brilliant in voice throughout his arias A Loving Breath, hitting all the incredibly high notes in Ah, I See It, brings warmth and sincerity in his duet In The Embraces with Fiordiligi.

Talented soprano Lisa Cannizzaro performs the role of Fiordiligi with conviction as she portrays her character's struggles to remain faithful to Guglielmo, while enjoying the romantic overtures of the disguised Ferrando. Lisa has brilliant vocal projection, displaying a scintillating singing voice in her parts for You Take The Darker One with Dorabella and her arias Please, My Beloved, Forgive Me and Like A Rock.

Soprano Desiree Frahn is sublime as the fickle Dorabella who easily falls for her sister's fiance, the disguised Guglielmo. In a mezzo-soprano role, Desiree sings mellifluously in her aria Torments Implacable, and her duet I Give You My Heart with Guglielmo.

Baritone Jeremy Tatchell brings charm and arrogance to his character Guglielmo, as he woos the steadfast Fiordiligi while boasting of his manliness. Jeremy is alluring in voice as he sings his arias Don't Be Shy!, and My Ladies, You Do It To So Many.

Soprano Daniela Jedrzejczak provides the most quirkiest and delightful moments as the character Despina, the sisters' chambermaid. Daniela is sensational as her character appears in various diguises as the Doctor and the Marriage Celebrant, while delivering her arias with comic timing and panache in A Fifteen Year Old Woman and In Men, In Soldiers, You Hope For Faithfulness?.

The production engaged the audience with characters Don Alfonso placing his hat and his coat on unsuspecting members of the audience, and Despina passing around confetti as Dorabella and Fiordilgi prepared for the marriage celebrations.

Director Juha Vanhakartano makes the most of the Little Theatre's intimate setting, with the cast members sitting in the aisles or scaling the stairs throughout the performance.

Musical Director Carl Crossin works his magic with Mozart's stylish score as the 'Cosi Fan Tutte Ensemble' gives stellar instrumental support to the singers.

Tenor No Longer In The House

Operatic Great Departs by Linh

Italian operatic tenor Luciano Pavarotti has succumbed to pancreatic cancer in Italy today at the age of 71.

Pavarotti passed away with his wife, daughters, sister and close friends by his bedside, in his birth town of Modena in Italy.

He was one of the most enigmatic singers who enthralled and excited audiences with his high Cs and magnificent voice. Pavarotti was the most well known of the Three Tenors alongside Placido Domingo and Jose Carreras, and made his final stage appearance in 2006, before undergoing surgery this year.

A funeral will be held for Pavarotti in Modena on Saturday 8, with celebrities expected to attend including U2's Bono and film director Franco Zeffirelli.


Video tribute to Luciano Pavarotti. Source:YouTube.com/Aliceangel77

Lion Pig Lion ; theatre review

STRIKING A DEAL:Brant Eustice and Michaela Cantwell in a scene from Lion Pig Lion. Photo: Shane Reid.


State Theatre Company of South Australia presents a world premiere of Marty Denniss' latest play Lion Pig Lion, which explores issues of government, corporate and individual accountability and how each interact with one another when staff discover their company may be involved with a young man's death at a water plant.

Bland Bureaucratic Bungles by Linh

Marty Denniss' Lion Pig Lion is inspired by the Bolivian Water Wars of 2000 and tells of the confusion, fear and distrust of individuals whose company is being investigated in relation to a murder.

The plot is convoluted and the dialogue has the potential to be sharp and witty if it wasn't burdened with expletives - the word f*** dominated throughout. The characters are as complex as the plot and the actors' talents seem wasted in a play that is slow-moving and stagnant in parts.

Although frustrating at times, the performances were strong and engaging enough to sustain audience interest until some answers are revealed, yet more questions arise.

Local performer Michaela Cantwell gives a commanding performance as the irrepressible, fast-talking PR guru, Virginia, whose own motives are questioned as she tries to keep everyone calm as the company undergoes another review by the Commissioner.

Stage director, drama teacher and singer/songwriter Brant Eustice is convincing as the wheelchair-bound Archives Manager, Sidney whose first impressions are not as they seem. There's a surprise and shock instore as Sidney reveals more about himself and his involvement with the investigations at the end.

Versatile thespian Carmel Johnson plays the tough-talking security officer Maureen, whose involvement with the murder is not what it seems. Carmel gives the character some light and shade, displaying a hardened exterior to many while showing vulnerability towards a few.

Other cast members' performances which added variety to help lift the play, include Patrick Frost as the soon-to-retire security guard Freddy, Patrick Graham's affable and impressionable Archives Assistant, Richard and Joel McIlroy as the nosey and manipulative Commission officer, Gerard.

Overall, Lion Pig Lion had a plot that takes too long to get started, characters who talk too much about nothing with too many expletives, and an ending which dissatisfies.

To Kill A Mockingbird; theatre review

FIGHTING PREJUDICE:Shedrick Yarkpai, Isabella Trigatti and David Roach in To Kill A Mockingbird. Photo: David Wilson.



Harper Lee's To Kill A Mockingbird makes its Australian premiere in Adelaide, with Independent Theatre Company staging the theatrical production at the Odeon Theatre.

To Kill A Mockingbird is set in the American town of Maycomb in Alabama during 1934-1935, where a black man, Tom Robinson is accused of raping a white woman, Mayella Ewell. Experienced lawyer Atticus Finch is assigned by the judge to handle Tom's case, with the story told in flashback by Atticus' daughter Scout.

Independent Theatre stages a brilliant production of To Kill A Mockingbird, with a talented ensemble cast under the direction of Rob Croser.


Life's Lessons Learned by Linh

Harper Lee's To Kill A Mockingbird is one literary gem which requires the right mix of talent and professionalism to bring the novel's themes and characters to life. Fortunately, Independent Theatre has succeeded in the challenge of re-creating the author's vision from the page to the stage.

The characters are well cast with each actor giving a solid performance to convey messages corresponding to the play's numerous themes including racial prejudice, loyalty, trust and love.

Local and regular Independent Theatre performer Lyn Wilson plays the mature Jean Louise Finch or Scout, with a narrative role where her monologues interweaves with the performance of her young counterpart. At times, Lyn seems oddly out of place and distant rather than immersed as the character, yet she brings a sense of warmth and reassurance of things to come.

Eleven year old aspiring actor Isabella Trigatti gives a commanding performance as the young Scout or Jean Louise Finch, vividly displaying a child's enquiring mind and bringing a vibrant quality to her delivery.

Young actor Will Cox plays Scout's older brother Jem, and is equally engaging as he brings a charming yet rebellious nature to the pre-pubescent son of local lawyer Atticus Finch.

One of the founding members of Independent Theatre and set designer extraordinaire David Roach, employs all his acting brilliance to do justice to one of literacy's most loved and respected characters. David plays the mild mannered lawyer and father of two children, Atticus Finch, with the unpretentious and noble qualities embodied in his idealistic character. Yet David demonstrates throughout the play, although Atticus is an idealist, he lives in an town and at a time where his visions are not ideal.

Musician, actor and familiar face of Independent Theatre stage productions, Shedrick Yarkpai has the role of accused rapist Tom Robinson. Shedrick plays Tom with gentle and quiet innocence, bringing forth all the play's themes of racial prejudice and inequality during his character's courtroom scenes.

Other cast members also provide outstanding performances including Jamie Black as the drunkard Bob Ewell whose aggressive and unpleasant nature is distrubing, Kate Ward is in fine form as the confused and contemptible Mayella Ewell. Poni Tongun debuts with Independent Theatre as Atticus Finch's caring and wise female servant Calpurnia but also acts as a surrogate parent to the children.

Independent Theatre continues to bring classic literature to the stage, with many quality productions pushing the boundaries of themes which are usually avoided or ignored. Their production of To Kill A Mockingbird will resonate in the minds of audiences just as the novel continues to strike a cord with readers.


A scene from the film To Kill A Mockingbird depicting the lynching attempt of Tom Robinson. Source:YouTube.com/Buddha7575.

By Jeeves; musical theatre review

'By Jeeves' is based on the Jeeves stories by PG Wodehouse, which writer Alan Ayckbourne and composer Andrew Lloyd Webber have turned into a light-hearted musical comedy.

The musical revolves around the humourous antics of Bertram 'Bertie' Wilberforce Wooster and his male-servant Jeeves. Bertie is about to present a concert to raise funds for the Little Wittam Church Steeple Restoration Fund, when Jeeves informs him that Bertie's banjo has been stolen. Following Jeeves' advice and stage direction, Bertie re-enacts various escapades of his life to entertain the audience. It turns into a play-within-a-play where Bertie agrees to trade identities, commit an unintentional burglary, and frames another for his misdemeanour.

Burnside Players Inc. presents a lively production of 'By Jeeves' featuring melodious songs and a strong ensemble cast.

'By Jeeves' is staged at the Burnside Ballroom until August 11.

By George, Jeeves' Got It by Linh

Director Megan Dansie has given 'By Jeeves' the right amount of polishing to make this musical comedy gem sparkle and shine.

Subtitled as "An Almost Entirely New Musical", minimal alterations were made to accommodate scene and costume changes, which at times slowed down the action. Yet the performances were strong and the singing standards varied.

Tenor vocalist Paul Briske is outstanding as Bertram 'Bertie' Wooster, keeping the comedy on track and the action afloat with his fine acting ability. Paul brings charm and authority to his character. His brilliant vocals in The Hallo Song , with characters Budge and Gussie, By Jeeves with Budge and Bingo and Travel Hopefully with Bingo, highlights the songs' hilarity and infectious melodies.

Experienced actor of many Adelaide theatre productions, Philip Lineton plays Bertie's servant Jeeves, who successfully saves Bertie's bacon in the final act.
Philip effectively gives Jeeves some perfectly dry humour, and provides an impressive counterpart to Bertie's over-emotionalism.

Humanitarian and performer Max Halupka takes on the role of Gussie Fink-Nottle with much enthusiasm and great gusto.
Max displays warmth and sincerity as Gussie who attempts to woo his beloved Madeline, but needs Bertie to trade indenties with him. Max's vocal ability is sound yet requires more vibrancy in the catchy song By Jeeves and better projection in the ensemble number It's A Pig.

Aspiring singer and actor Sera Davey is dainty and virginal in the role of Gussie's love interest Madeline Bassett. Sera's lovely light soprano voice is wonderful in her duet with Bertie in When Love Arrives.

Sassy and versatile performer Cara Brown portrays the demanding and assertive Stephanie 'Stiffy' Byng, in a convincing performance with superb singing. Her duets Love's Maze with Bertie and Half A Moment with Harold 'Pinker' Stinker (Brendan Clare) are well pitched and aurally arousing.

Other notables are Danielle Seal as the larger than life Honoria Glossop whose solo That Was Nearly Us provided one of the funniest comic scenes in the play, Tim Benveniste as the American businessman is wonderfully smug in his scenes and Richard Gruca is excellent as the self-important Sir Watkyn Bassett who's unaware of the shenanigans happening around him.

The scene changes are incorporated as part of the drama and the set is minimalistic. The most interesting prop is Bertie's automobile created from cardboard, wooden chair seats and some scrap metal pieces, which is also easily dismantled.

Musical Director Kate Pope and the Little Wittam Sextet provided fabulous support throughout, in a musical comedy with creativity and wit.

Everything's F*#ked; musical theatre review

LIFE'S F*#KED UP:Abbie Cardwell, Andre Eikmeier, Lisa Sontag and Alexander Jenkins in 'Everything's F*#ked - the musical'.Photo:Simon Cardwell.




From it's embryonic stages of grant applications and re-writes, writer and composer Sean Peter's 'Everything's F*#ked' has finally come to fruition.
It's a contemporary musical blending romance, comedy and life's complications with urban beats and glorious rock-fused harmonies.

The story tells of four twenty-something's sharing a house, whose lives are exposed as each experience personal turmoils, triumphs and tragedy.
The September 11 Twin Towers attack, the growing fear of Hepatitis C and the emergence of destructive computer viruses further heightens the tensions in the lives of Jack, Red, Adam and Belle, as they each discover although everything's f*#ked, it would still be all right in the end.

'Everything's F*#ked' is a co-production between Inspace and Autopilot Productions and runs until August 18 at the Space Theatre, Adelaide Festival Centre Complex.


Fan-f*#king-tastic by Linh

From the beginning, audiences are warned throughout the song Disclaimer that 'Everything's F*#ked' contains adult themes, sex scenes, nudity, drug use and frequent coarse language, so anyone who's easily offended should leave. Fortunately, no-one did, otherwise they would've missed one of the best Australian rock musicals created.

Composer and writer Sean Peter cleverly wrote music that carried the drama with lyrics that exposed the characters' raw emotions. Every song added something interesting to the characters' situation and revealed their thoughts, fears and hopes.

The talented cast of four are brilliant in their roles, in a musical set during the Spring of 2001. It's 'Rent' the musical meets 'Friends' the television comedy series, as the four share laughs, tears and a home.

Actor and musician Andre Eikmeier plays the hot-headed Jack whose attempts to climb the corporate beanstalk lands him in hot water. Andre is convincing as the fast-talking and quick witted Jack, with a magnificent voice clearly emphasising his character's determination and persistence in Autopilot, while deftly displaying intense fury in Boom Baby Boom.

Adelaide singer, songwriter and actress Abbie Cardwell gives a brilliant performance as Jack's girlfriend Red (suitably nicknamed as she wears plenty of red coloured attire), who's dealing with pressures at work as well as an interfering mother and the death of her Nanna.
Abbie gives a moving delivery of Nan after Red hears of her Nanna's death, and shows poignancy and tenderness during Eulogy.

Rising musical theatre star Lisa Sontag portrays the vivacious couch-potato Belle, who takes sex calls while watching television. Lisa has an exceptional singing voice which is evident in the feel-good duet with Abbie, Good Things and is equally beguiling as Belle tells of her illness in Waiting For The Storm.

A lover of TV, pizza and beer, actor and singer Alexander Jenkins plays Adam, the highly intelligent computer geek with a crush on Belle. Adam even uses her name as his password and is constantly rescuing Jack from computer related disasters.
Alex gives a fine vocal and dramatic performance as Adam when leaving a message for Belle in Adam's Call, and shows a flirtatious side to Adam in Speedhump On The Superhighway.

Director Geoff Crowhurst succeeds in bringing together the actors' song numbers and action without dragging on scenes. He makes the most of Andrew Phillips' superbly designed set that's structured into levels and compartments depicting Jack's office, Red's workdesk, Adam's workspace, Red's bedroom and the loungeroom occupied by Belle.

Sean Peter's musical 'Everything's F*#ked' is thoroughly entertaining with enough thought provoking messages to discuss around the water cooler.

Blues In The Night; cabaret review

Sheldon Epps' 'Blues In The Night' is a cabaret production featuring a collection of some of the best blues standards ever written. There is no storyline, only four blues singers at different stages of their lives, who each share their stories through fabulous blues and soul ballads. The production is given extra sparkle with dancers adding movement and colour to some of the beautifully sung numbers.

'Blues In The Night' runs until August 11 at the Playford Civic Centre, Elizabeth.

Red Hot Blues by Linh

Northern Light Theatre Company presents a magical evening of blues and soul singing in Sheldon Epps' 'Blues In The Night'.

Featuring four of Adelaide's most talented singers, the cabaret production interweaves emotions and personal stories of three sisters which are interspersed by a male singer.

Musical theatre veteran and crowd favourite, Megan Humphries plays the role of The Lady From The Road, whose songs feature the hardships she's endured with love, misery and hope.
Megan shines as the parasol twirling and dancing damsel in the humourous number Take Me For A Buggy Ride , she gives a stirring performance in Lover Man, and delivers precise comedic timing in the hilarious song Kitchen Man.

Sultry and sexy singer Kira Marie Laverty portrays The Woman Of The World with a twinkle in her eye to match her character's cheeky grin. Kira's songs depict worldly wisdom from a woman who's been there and done that.
Kira exudes sex appeal in It Makes My Love Come Down, gives a beautiful rendition of Lush Life and provides laughs and cheers as she gracefully weaves her way amongst the males in the audience with the flirtatious song Rough And Ready Man.

Versatile vocalist and talented performer Michelle Pearson provides some showstopping moments in her role as The Girl With A Date.
Michelle is impressive as she sang while getting dressed and belting out Take A Chance On Love, she vividly expresses the emotional tenderness in the tearjerker ballad Willow Weep For Me, and is equally mesmerising in Reckless Blues.

The thorn among the roses, musical theatre performer Rod Schultz plays The Man In The Saloon with great gusto and comic flair.
Rod has the dual task of linking each of the women's ballads with his brief song and dance numbers, while belting out a few blues hits throughout.
Highlights from Rod include his wonderful velvety voiced version of Baby Doll, the smooth and suave delivery of Wild Women Don't Have The Blues and I'm Just A Lucky So-And So.

Other highlights include the ensemble numbers Take It Right Back, and the gorgeous harmonies of all four singers during Four Walls (Reprise).

Choreographer Kerreanne Sarti succeeds in ensuring all four dancers added visual interpretation to the songs' stories rather than overshadow the singers.

'Blues In The Night' is a relaxing and entertaining night of beautiful blues ballads to lift your spirits and keeps you humming long after you've left the theatre.

Triple Threat - theatre review

Brendan Rock, Carmel Johnson and Elena Carapetis in Central Park West. Photo:Matthew Nettheim




State Theatre Company of South Australia continues to produce and present innovative works to Adelaide audiences, with their latest venture 'Triple Threat' at the Dunstan Playhouse.

The production consists of three one-act plays from different playwrights whose works are renowned and popular. Presented with fifteen minute intervals between the plays, the best is left for last with Woody Allen's Central Park West the highlight, following Caryl Churchill's Hot Fudge and opens with Tennessee William's little known Talk To Me Like The Rain And Let Me Listen. It's as though 'Triple Threat' becomes an artistic avalanche rolling downhill, gathering momentum and excitement with each play becoming more entertaining than the previous offering.


Thrice As Nice by Linh


The action and characters in Tennessee Williams' Talk To Me Like The Rain And Let Me Listen reflects the play's title. The mood is dreary, the situation between the characters is bleak and they seem to be lost in their own world rather than engaging in dialogue. The monologues further draw the characters apart despite their close physical proximity to each other.

The play is set in a hotel room where a couple are in love and despair, with Kate Box giving a compelling performance as the woman and Nathan O'Keefe is equally mesmerising as the man. Yet the talented pair and director Netta Yashchin struggle to make the piece rise out of its doldrums and capture the audience's interest. It's a play that goes nowhere...just like raindrops have nowhere to go but down.

Caryl Churchill's Hot Fudge is upbeat with engaging characters, featuring Elena Carapetis as the clever swindler Ruby and Brendan Rock as Colin, her new love interest. They both have secrets to hide and lie to each other to gain trust and approval. Kate Box gives a brilliant display of hurt, jealousy and obsession as Colin's alcholic ex-wife, who exposes Colin as a fraud and liar, before Ruby also confesses. Elena Carapetis' portrayal of Ruby is convincing with a solid interpretation of Ruby's motives. Brendan Rock is relaxed in the role of Colin and plays the character with enough depth and understanding to allow the audience to share in Colin's frustrations. The supporting cast is superb and provides plenty of laughs earlier in the play. Director Geordie Brookman does well to maintain the play's momentum for an interesting yet anti-climatic ending.

The finale of 'Triple Threat' is worth the wait, as Woody Allen's Central Park West proves to be extremely hilarious from beginning to end.
The play is set in an upper class apartment in Central Park West, home to the overly suspicious psychoanalyst Phyllis, who suspects her friend Carol is having an affair with her husband Sam. Little does she and Carol know that Sam is in love with Phyllis' former patient Juliet. Woody Allen's comedic touch and clever quips on marriage, men and dysfunctional love/relationships are well delivered from all in the cast.

Carmel Johnson is the standout performer in Central Park West who portrays Phyllis as a jaded woman yet with a cynical attitude to her husband's bed-hopping habits. Elena Carapetis is stunning in a Marilyn Monroe hair-style and pouty lips, delivering a fine performance as the ditzy friend Carol. Brendan Rock plays Carol's slightly loopy husband Howard, with an eccentric yet gentle nature to great effect. Rob MacPherson plays Phyllis' husband Sam with enough conviction, you'll soon warm to his character's dilemma. Kate Box makes a brief and memorable appearance as Sam's latest lover Juliet, who literally fires the parting shot.

Under Hannah Allert's fine direction, Central Park West had the audience roaring with laughter throughout for an enjoyable and entertaining end to three hours of an eclectic theatre experience.