Music, literature and arts journal

Welcome to a blog of warped arts reviews, potpourri poetry, quirky and weird thoughts from the gentle mind of a versatile Gemini.

Please feel free to peruse, comment, criticise or compliment anything that moves, irritates or entertains you within this journal.

ALL WORK IS COPYRIGHTED AND ANY USE OF ORIGINAL MATERIAL FROM THIS BLOG IS PROHIBITED (AND BAD KARMA).

Wednesday, 5 December 2007

Linh in Melbourne - Sappho Unravelling; theatre review

CLASSICISTIC: Jane Montgomery Griffiths wrote and performed the solo stage production Sappho Unravelling. Image:www.storkhotel.com/sappho.htm

Classical Studies lecturer and award winning actress Jane Montgomery Griffiths has written and performed a play which attempts to 'fill in the gaps' of the life and works from the little known Greek lyric poet Sappho.

Sappho lived in the 7th Century BC in Mytilene, on the Greek island of Lesbos, where women had more freedom, and she was probably married with a daughter named Kleis.

Her substantial body of poetry comprised of erotic love poems, religious paeans and celebratory wedding songs. Much of her work was destroyed in the burning of the Library of Alexandria, with only a few fragments surviving the blaze.

Ancient writers, philosophers and poets have praised her prolific work as genius yet condemned her homosexual lifestyle. Her poems have inspired many modern writers, poets and performers who regard her as one of the most important and influential contributors to the arts and literature.

Fragments of Sappho by Linh

Sappho Unravelling is a brilliant and insightful one-woman production with Jane Montgomery Griffiths giving an astounding performance not only as the Greek poet Sappho, but also as the lover Sappho calls Atthis and Sappho's daughter Kleis.

Jane gives an apt narrative presentation where she not only reflects on the way past writers and philosophers have regarded Sappho, but is equally adept at reflecting on Sappho's love affairs, particularly with Atthis.

Upon a simplistic and minimalistic stage, Jane provides the audience with dialogue punctuated with lines from Sappho's poems, and has the charisma to hold the audience's attention for two hours.

Jane's portrayal of the irrepressible Sappho through voice, movement and music, brings you a clearer understanding of what Sappho was like, and how she lived her life through poetry as they were about love, passion and eroticism.

Sappho is dressed in a simple, black dress, and to switch characters, Jane wears a blue raincoat for Atthis. Jane is remarkably convincing as she glides effortlessly from one character to another and she connects their dialogues on an emotional and intellectual level.

Jane shows every side and emotion of Sappho but Atthis is equally compelling as a lover whose departure brings Sappho to a maddening struggle of emotion, which brings the play to it's climax.

Jane's performance deftly moves the play's tone from humour to heartwrenching and from anguish to hope. Music from David Chesworth's 'Badland Suite' effectively underscores Sappho's desires, intentions and her will to love and be loved.
The lighting from last minute fill-in light technician, Kei, casts mysterious shadows around Sappho, perhaps signifying how very little is known about the real Sappho during her life and after her death.

Director Alex Pinder's uncomplicated direction of Sappho Unravelling keeps the focus on Sappho yet magnifies Jane's magnetism and elan in delivering a dramatically charged performance.

Sappho Unravelling is the final production for the Stork Hotel, as the venue is set for demolition after 2007. Producers Paul and Helen Madden are finalising plans to establish a new theatre venue in 2008.

Tuesday, 4 December 2007

Linh in Melbourne - Melbourne Aquarium

AQUATIC FUN: Plenty to see and explore in the Southern Hemisphere's largest aquarium exhibition, the Melbourne Aquarium.
Image: Linh - www.linh.chameleon.blogspot.com


Marine Marvels by Linh

The Melbourne Aquarium is one of the most spectacular tourist exhibition I have seen.
The majestic marine life immersed in massive tanks and swimming freely as if in their own natural habitat, is awe-inspiring and mesmerising.

There are all shapes, sizes, species and colours of various fish, mammals and amphibians you could imagine and all on display for your viewing pleasure.

If you're brave enough you could swim with sharks, be photographed with your head inside a life size shark jaw, or relax while you watch the animals being fed.

For those in search of a souvenir to remind them of their underwater adventures, the Aquarium Shop is an ideal stopover.

All animals are well treated, well fed and staff at the Melbourne Aquarium advocate the importance of preserving and protecting all species of marine life.

Image: Linh - www.linh-chameleon.blogspot.com

Image: Linh - www.linh-chameleon.blogspot.com

Image: Linh - www.linh-chameleon.blogspot.com

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Image: Linh - www.linh-chameleon.blogspot.com

Image: Linh - www.linh-chameleon.blogspot.com

Linh in Melbourne - Mouthwatering Melbourne; Ume Hana

APPETISING ASIAN: Ume Hana Restaurant and Cafe on Elizabeth Street.
Image: Linh - www.linh-chameleon.blogspot.com

Yummalicious Ume Hana by Linh

Ume Hana restaurant and cafe on Elizabeth Street serves up a sumptuous feast of Japanese and Korean delicacies and divine dishes for meat lovers and vegetarians.

There are the usual sushi, nori and californian rolls and miso soup, but also some other gastronomic goodies.

A modest sized restaurant and cafe, Ume Hana is decorated with beautifully hand painted fans of all colours, shapes and sizes which hang on the walls.

The food prices are affordable and served in generously large portions.

With friendly staff and excellent customer service, you can relax while watching television (there are two large screen televisions which are wall-mounted) as your meal and drinks are served with a smile.

Having savoured the delightfully scrumptious 'Yakitori Don', number 44 on the menu, I would definitely be heading back for more in the near future.

HHHMMMM: What's on the menu for a carnivorous chameleon?
Image: Linh - www.linh-chameleon.blogspot.com

YAKITORI DON: Chicken and vegetables skewered, steamed rice and salad.
Image: Linh - www.linh-chameleon.blogspot.com

Saturday, 1 December 2007

Linh in Melbourne; The Madwoman of Chaillot - theatre review

JOIE DE VIVRE: Magda Szubanski as Countess Aurelia and Julie Forsyth as Mademoiselle Gabrielle in a scene from The Madwoman of Chaillot.
Image: Jeff Busby.


French playwright Jean Giraudoux was highly optimistic at the time of writing The Madwoman of Chaillot, despite the Nazi occupation of France. Giraudoux hoped his play would be a reminder to the French public of what needed to be preserved in their culture. He intended to stage The Madwoman of Chaillot during the reconstruction days in France after the war but he never saw a performance.
He died of acute uraemia, a type of blood poisoning caused by kidney failure, at the age of sixty one.


Fancifully French by Linh

The Melbourne Theatre Company presents The Madwoman of Chaillot a French play of fantastical proportions at the Arts Centre's Playhouse Theatre.

The story follows the attempts of a Cafe owner to stop greedy oil-hungry capitalists from digging beneath the streets of Paris to line their own pockets without consulting the locals.

Director Simon Phillips manages to re-create the ambience of Parisian life and allows all the charming characters to swirl and move freely throughout their scenes. The opening act, where a waiter serves, a flower seller wanders about and a street performer juggles balls and throws batons, is a wonderful scene of vibrancy and humanity.

Comedienne extraordinaire Magda Szubanski plays the owner of Cafe Chez Francis in Chaillot, and brings believability and assuredness to Countess Aurelia whose eccentric personality earns her the endearing title of Madwoman. Magda Szubanski is in her element as she weaves the wit and wisdom of the play's dialogue with her comedic flair, adding a few moments of spontaneous fun to her role.

Another crowd pleasing performance comes courtesy of Mitchell Butel as the Ragpicker and he also plays the Broker.
Mitchell Butel brings enough arrogance and business smarts to make the Broker a delight even if his character is lacking substance. His portrayal as the Ragpicker begins as a menacing opposition to Countess Aurelia, until he becomes her ally. Mitchell gives an hilarious and enthralling performance as the Ragpicker pretending to be the President in the mock trial scene.

There seems to be four Madwomen in the play, with another three leading ladies of the theatre. Kerry Walker, Julie Forsyth and Sue Ingleton also provide sterling support in double roles.

Kerry Walker is brilliant as the no-nonsense Madame Josephine whose attention to detail earns her respect among her peers. Kerry Walker also plays the Baron, who agrees to the oil digging scheme with great caution.

Julie Forsyth plays the scheming American Prospector to great effect and her portrayal of the dotty and ditzy Mademoiselle Gabrielle is irresistibly funny and captivating.

Sue Ingleton shines as the easily influenced President of France who is always in search of progressing and economically advancing France in the interests of the people as well as himself. Sue is also entertaining as the argumentative and self-indulgent Madame Constance whose imaginary dog, Dickie, is as real to her as Mademoiselle Gabrielle's imaginary friends.

Other notable performances include Melinda Butel as the wholesome and lovely Irma; Sam Hryckow as the deaf/mute juggler is sensational despite only uttering one line in the entire play; Alex Menglet is nicely cast as the Sergeant and Sewerman; Stephen Phillips is a dashing and handsome Pierre who steals the scene even when he's playing dead.

With the star power of Magda Szubanski in the title role, the play was expected to pull more audience numbers as well as plenty of laughs.

However,the twilight performance was riddled with mishaps from the beginning and continued throughout Acts one and two.

Following technical difficulties which delayed the opening for half an hour, there were missed cues, tripping over props, giggling out of character and messed up lines.

All credit to the cast and crew, as they overcame the awkward situations with clever ad-libbing, well-timed quips and excellent improvisations to keep the play on track.

The Madwoman of Chaillot is a highly whimsical comedic fantasy only Giraudoux can conjure, with overly exaggerated situations and beautiful flowing gowns, colourful characters and witty dialogue. Perhaps made even more enjoyable as the cast made the most of unexpected challenges live theatre performance create.

Linh in Melbourne ; Hotel Heaven - part two

ARRIVAL: Finally, I can unpack some of my luggage.
Image: Linh - www.linh-chameleon.blogspot.com

PLUSH TOUCH: An adorable plush toy penguin hangs from the corner adding playfulness to the room.
Image: Linh - www.linh-chameleon.blogspot.com



Playful Penguin Room by Linh

I immediately loved my hotel room.
Apparently every room in The Stork Hotel has a theme such as Foster's Lager or Ned Kelly, and mine is Little Penguins. All themes in the rooms are related to the history, arts, culture, tourism or environment of Victoria.

It instantly brought to mind the various artistic and literature connections of penguins. For example, Penguin publishers of classic works from plays to novels or The Flying Penguin Productions which is a South Australian creative theatre production company. Also the Adelaide Angry Penguin blog or the villainous Penguin from the television series and movie Batman.

It's a joy to be sharing a room with a unique symbol of artistic greatness and eternal cuteness.

PHOTOGENIC ART: Penguins are a tourist attraction and threatened species due to global warming.

HANGING AROUND: Exploring the room from all angles.
Image: Linh - www.linh-chameleon.blogspot.com

THIRSTY: Quenching my thirst............
.........Anybody for milk?
Images: Linh - www.linh-chameleon.blogspot.com


LITERATE LIZARD: Interesting reading from The Stork Hotel Directory booklet.
Image: Linh - www.linh-chameleon.blogspot.com

Linh in Melbourne ; Hotel Heaven - part one

HISTORIC HOTEL: The Stork Hotel has links with Ned Kelly and the Kelly Gang, opened in 1855 and shuts its doors at the end of 2007.
Image: Linh - www.linh-chameleon.blogspot.com


Stoked With Stork by Linh

I'm finally in the boutique pleasure of The Stork Hotel on Elizabeth Street.
I particularly love the Stork perched upon the roof as if welcoming all guests to its humble abode.

I chose The Stork Hotel for its proximity to the CBD, affordable accommodation prices and live entertainment - particularly theatre productions.

Helen and Paul Madden run The Stork Hotel enabling guests to enjoy their hospitality as a publican as well as a theatre venue.

Theatre producer Helen Madden has worked tirelessly to bring audiences and hotel guests extraordinarily obscure yet brilliant theatre in an intimate setting. Throughout 2007, Helen has staged classical works and rarely performed productions such as Homer's The Odyssey, Homer's Iliad, and various other pieces from French playwright Albert Camus and currently playing is a one-woman production about the Greek poet Sappho. All the productions feature familiar Australian performers from television, theatre, radio and film such as Helen Morse, Richard Piper and Kate Kendall.

Sadly, all good things must come to an end, and the end is nigh for The Stork Hotel. After thirteen years, the lease is up and the Stork must fly away in search of greener pastures at the end of this year. In it's place would likely be a shopping centre or swish eateries.

However, Helen and Paul will still be around and will continue presenting more theatre in the near future somewhere in Melbourne, and you can bet I'll be there.

Image: Linh - www.linh-chameleon.blogspot.com

Saturday, 17 November 2007

The Barber of Seville - comic opera review

FIGARO'S FROLICS: Elena Belfiore as Rosina and José Carbó as Figaro in rehearsals for 'The Barber of Seville'. Image: Mark Brake.


'The Barber Of Seville/Il barbiere di Siviglia' is a riotous romantic comedy opera by Gioachino Rossini, based on a play by the French playwright Beaumarchais. The comic opera features funny, fast-paced action and fine belcanto singing in two acts.

The plot revolves around the Count Almaviva, and his intentions to marry the rich and beautiful Rosina, who is Dr. Bartolo's young ward. Count Almaviva is in hot pursuit of Rosina but his plans of marrying the little vixen is thwarted as Dr. Bartolo also wants to marry Rosina.

The Count wants Rosina to marry him for his personality and not his title, so he disguises himself as a student named Lindoro. As Lindoro, the Count serenades Rosina under her balcony, but fails to entice her.

The Count encounters his former employee and barber, Figaro, who helps him get into Rosina's residence for a price. Count Almaviva agrees and the two cause much fun and frivolity as the Count plays it for love and Figaro for the money.


Comic Coiffeur by Linh

State Opera of South Australia presents 'The Barber of Seville', its final opera production for 2007, also one of the most colourful and beautifully composed operas from Gioachino Rossini.

'The Barber Of Seville' features a strong cast along with solid support from the State Opera Chorus and sterling orchestral accompaniment from the Adelaide Symphony Orchestra under the musical baton of conductor Tom Woods.

Set in a 1930s health spa for the fashionable and famous, with gloriously elaborate set design and gorgeous costumes by Leon Krasenstein, director John Milson gives a different comedic edge to the popular opera.

Baritone José Carbó is a fabulous Figaro whose agility in movement and voice adds energy and vitality to his aria Largo al factotum della città/Make way for the factotum (Jack of all trades) of the city. José Carbó steals many of the scenes solely due to his clever characterisation of the scheming barber, especially in his letter scene with Rosina and their duet Dunque io son...tu non m'inganni?/Then I'm the one...you're not fooling me?.

Tenor Henry Choo gives a superb performance as the lovestruck Count Almaviva and is vocally graceful in his solo Ecco ridente in cielo/There laughing in the sky, as he woos Rosina. His duet with Rosina Buona sera, mio Signore/Fare you well then, good Signore is a sweet and short moment reminscent of Romeo and Juliet.

Stunning Italian mezzo soprano Elena Belfiore is more than up to the task with a feisty and fiery portrayal of Rosina. Her rendition of Una voce poco fa/A little voice I heard just now followed by Io sono decile/With mild and docile air are awe-inspiring and her vocal pyrotechnics are dazzling.

The supporting cast are sensational with Douglas McNicol giving a commanding performance as the suspicious Dr. Bartolo; Adelaide soprano Deborah Caddy sings her solo where her outpouring of suppressed anguish and frustrations are heartfelt and moving; Stephen Bennett as music teacher Don Basilio has memorable moments including an aria where he gleefully suggests ways of slandering the Count.

'The Barber of Seville' was written without an overture, and the attempts by the orchestra in creating a short introduction to the opera is a disappointment, sounding very tacked on and almost like filler for background changes.

However, it's an enjoyable, hilarious and entertaining comic opera to end the 2007 season for State Opera of SA.